The work with electronic interference as a style-forming element is as old as the medium of video. Ellis does this on a very minimalist scale, with simple lines, dropouts, simple picture-flushes. However, the technical processes behind it are complex. He works with video-interferences, computer-feedback and distorted signals as elements, that together constantly yield new variations. The minimalist music also seems to act as a catalyst compelling the sequence as well as the structure of the pictures to its rhythm. Music: Kid Cosmo.