The work of Jason Dee shows the technical mechanisms which underlie the cinematic illusion of reality: with a subtle sense of humor the author places in the foreground the romantic black and white image of a couple sitting in the cabin of a train. In the background a beautiful mountainous landscape set at the beginning of the 20th century rushes by. With a subtle sense of humour, Dee places beside it, the image of a film technician who is struggling on a bicycle that moves the screen onto which the romantic moving backdrop is painted.